One of the frequent complaints that fundamentalists make about contemporary Christian songs is that they “make Jesus sounds like your boyfriend.” But if this hymn is any judge that sort of sentiment predates the modern praise chorus by a fairish bit (not that this has stopped modern artists from using it)
I also personally think that Freud would find this song very interesting. But that’s as far as I’ll take that line of thought.
Don’t forget to check out their CD on the back table!
Full Disclosure: I actually knew these two singers back many, many years ago when their family were missionaries to Papua New Guinea. Their singing family act back then was typical of the kinds of on-demand performances that missionaries would be expected to put on while raising money on “deputation.” I’m a bit surprised to find them still on tour.
Did anybody else have 1 Corinthians 14:8 pop into their head about six measures into this?
On a side note, I’d bet a shiny nickle that the substitution of “God” for “He” in the title is an intentional effort to be anti-CCM.
For the uninitiated, one of the big complaints about contemporary songs is that they often use pronouns instead of names for God, leaving the object of the song ambiguous. As one person put it: “We could be just as easily be singing about Satan.”
And really, with all those drums and guitars and sliding tones it’s actually pretty likely that Satan is in the mix somewhere.
This is quite possibly the best hymn ever written.
No, seriously. You just have to marvel that somebody took the time to not only do this but to do it in four part harmony being sure to stop before the last word for a “striking effect.” It certainly struck me.
Those who have spent time at the Bill Rice Ranch will likely remember this one. Unfortunately, an audio version seems to be almost nonexistent on the Internet.